Workshop co-director Jesse Morse speaks to a packed audience. The event had several break-out sessions focused on poetry, nonfiction, fiction, imagery, and developing story stakes.
Clark Creative Writing welcomed over 120 attendees for the annual Spring Creative Writing Workshop.
The third annual event, hosted on May 11, invited the Southwest Washington writing community to Clark for free workshops, readings, and lectures. Participants chose three events to attend from the 12 offered and received free lunch, coffee, and pastries. A mix of Clark employees, students, and community members joined. This year, attendance notably increased.
Alexis Nelson, creative writing lead and Clark faculty said, “We wanted it to be something special for Clark students and employees, something that would add even more value and enrichment to our Creative Writing program, and something that would also bring more of the community to campus and help build the sense of Clark as a center for the arts within the area. And we wanted the event to be welcoming and open to all, just like the college. It felt like we accomplished all that.”
Clark faculty Jennifer Denrow and Jesse Morse are workshop co-directors.
Workshop instructors came from as far as Southern California. Sessions focused on poetry, nonfiction, fiction, imagery, and developing story stakes. Vintage Books, a local bookstore, set up a space to sell books by workshop instructors (pictured below).
Instructor Stephanie Adams Santos, a Guatemalan-American writer living in Oregon, taught Dreamscape of the Altar, inviting participants to create their own altar with art supplies, a candle, and an oracle card. She then led poets through an altar meditation to inspire language.
Another workshop led by HR Hegnauer, a poet and book designer specializing in independent publishing, covered the crucial aspects of book cover design and invited participants to design their own book covers.
Poet Mathias Svalina, founder of Dream Delivery Service, which delivers personalized poems by bicycle to subscribers, taught participants to write with dream logic.
Clark’s own Joe Pitkin shared industry knowledge, including using the resource Duotrope to connect with publishers.
Other workshop leaders included:
Sara Jaffe
Lisa Bullard (Clark instructor)
Emily Chenoweth
Michael Guerra (Clark instructor)
Debra Gwartney
Meredith Kirkwood (Clark instructor)
Pauls Toutonghi
Claire Vaye Watkins
About Clark Creative Writing
Clark Creative Writing, part of the English department, offers a creative writing associate of arts track with electives in poetry, fiction, creative non-fiction, graphic fiction, and publishing. Clark Creative Writing:
For many authors, this was their first time reading their work publically.
The Clark College community celebrated the annual publication of The Swift, the college’s student-run literary journal at a release party that included student readings, coffee and pastries, and stacks of the 2024 issue on May 9 in PUB 161.
As people entered the room, they picked up the journal, sat, and began reading. Many who attended were published in this issue. For some, it was their first time being published.
The event had a very supportive and attentive crowd for the newly published authors.
The Swift’s contributing writers and poets are Clark students and alumni. This edition features the work of 23 writers and includes 10 poems, 10 works of short fiction, and 6 works of short nonfiction. The annual journal was edited by first-time student editors.
In 2023, Clark published the first issue of The Swift. Formerly, Clark College featured art and literature in a single magazine Phoenix, which now focuses strictly on art: www.clarkphoenix.com. This is the second annual volume of The Swift.
Dawn Knopf, Clark English professor (pictured above) and advisor of The Swift, welcomed the guests and invited the writers to take a turn reading their work at the podium. What followed was a lovely time of students reading their work aloud for the appreciative audience.
Poet Colin Sandberg (pictured above) introduced his poem, “Rock and Stone” by saying, “This is my first published work. It starts with an epigraph from Mary Oliver’s A Poetry Handbook.”
As he read, all listened intently. When he finished reading, they clapped. Then the next published writer walked to the podium.
About The Swift
Funded by the Associated Students of Clark College (ASCC),The Swift: Clark CollegeLiterary Journal is dedicated to publishing skillful and inventive creative writing by Clark students, alumni, and staff. The journal is student-run and supported by faculty and staff from the Art and English Departments. Students enrolled in English 277 start the production of the journal each Fall Quarter. An editorial staff of literary students continues production work during winter term with the publication and distribution of the annual journal occurring spring term each year.
Learn more
Submit your poem, fiction, or nonfiction short piece for publication: The Swift: accepts submissions from the Clark College community, including students, faculty, staff, and alumni. For submission guidelines and timelines contact theswift@clark.edu.
Are you a writer? Working on a book, sci-fi, or a screenplay? Do you dabble in poetry? Do you like being around other writers, and hearing about their craft? Excited about book launches or creating comics? If yes, there’s a week of literary events at Clark in May that you might enjoy!
The English department at Clark College hosts an inaugural Creative Writing Festival from May 6-11. The event, which is free and open to the public, features activities geared for writers at all levels. The festival allows writers to immerse themselves in literary workshops and readings by renowned authors.
The festival concludes with the annual Clark Spring Creative Writing Workshop on Saturday, May 11, with a full day of workshops for writers.
All events will be in the Penguin Union Building (PUB) on Clark College’s main campus, 1933 Fort Vancouver Way, Vancouver. Directions and maps are available online.
Creative Writing Festival Schedule
Monday, May 6
Writing from Lived Experience: A reading & conversation with author Peyton Marshall [event listing with more information] 11:00 a.m.–12:00 p.m. Penguin Union Building (PUB) 258B
Tuesday, May 7
Exit Black Book Release Party: A reading and celebration in honor of Clark English professor Joe Pitkin’s new sci-fi novel 10:00–11:00 a.m. Cannell Library (LIB) 101
Wednesday, May 8
Create Your Own Comic: A hands-on workshop led by Clark Art professor Grant Hottle 12:00–2:00 p.m. Cannell Library (LIB) 101
Thursday, May 9
The Swift Release Party: Student readings and a celebration in honor of the 2nd edition of Clark’s student-run literary journal [event listing with more information] 10:00 a.m.–12:00 p.m. Penguin Union Building (PUB) 161
English Department Awards Ceremony 4:00–6:00 p.m. Penguin Union Building (PUB) 161
Friday, May 10
Yoga for Creativity: A free yoga class focused on connecting the mind & body to nourish creativity [event listing with more information] 10:00–11:00 a.m. Penguin Union Building (PUB) 258B
Saturday, May 11
Spring Writing Workshop: A full day of writing workshops, readings, and community building – with free lunch, coffee, and pastries! Please sign up for this event at bit.ly/writing-24 10:00 a.m.–5:00 p.m. Penguin Union Building (PUB)
May 11 Spring Writing Workshop Schedule
Join us for a day filled with imagination and inspiration at the Penguin Union Bldg (PUB), Clark College. This in-person event is a fantastic opportunity for writers of all levels to come together, share their work, and learn from talented authors. Whether you’re a seasoned wordsmith or just starting your writing journey, this festival has something for you. Immerse yourself in workshops and readings by renowned authors. Don’t miss out on this incredible gathering of literary minds. Mark your calendars and get ready to unleash your creativity at the Clark Creative Writing Festival! Read on for visiting author bios and workshop descriptions!
Workshop Descriptions:
STEPHANIE ADAMS-SANTOS, “Dreamscape of the Altar”“You must give birth to your images.” — Rilke Through a blend of guided meditation and writing prompts, we will work to nurture a fertile soil for receiving sacred imagery from the depths of the psyche. Delving into the mysterious terrains of embodied inner life, we’ll explore the concept of an interior altar, using active imagination to connect with unconscious symbols and dreams. This process serves as a pathway to delve more deeply into our own creative material. Note: We will be working on the floor for part of the workshop, though this portion can be adjusted to accommodate any body; all materials provided.
LISA BULLARD, “Opening Another Door: Symbolism in Poetry” Symbolism opens the door for a poet to say more with fewer words, and a striking symbol adds depth and intrigue to a poem. In this workshop, we will look at models of how others have used symbols and create symbols of our own. The workshop will be group oriented: the more brains, the better! We’ll have fun and play with words.
EMILY CHENOWETH, “Disruption and Change in Character, Setting, and Plot”“There are only two plots in all of literature—a person goes on a journey, and a stranger comes to town.” So said celebrated writing teacher John Gardner (supposedly). Whether Gardner’s right is up for debate, but Arrivals and Departures are classic literary tropes for good reason. In this generative workshop, we’ll consider the three pillars of character, setting, and plot, and craft short prose pieces that have disruption and change at their heart.
MICHAEL GUERRA, “Tangible Objects: Developing an Inner Life for Your Character”This workshop will focus on the life of tangible objects that often define and shape our lives. Through this process of developing an inner life for our characters, we will discover patterns for shaping both knowns and unknowns that motivate our characters and push our stories in ways we never thought possible.
DEBRA GWARTNEY, “Who is Telling Your Story?” In this workshop, we will explore the role of the “I” in memoir writing. Both the “I” involved in the action, and the “I” remembering and reflecting upon the event at the center of your narrative. This “dual-I” is where the tension in memoir lives, and where readers engage and connect. Come prepared to write and, if you wish, to talk about the challenges of turning yourself into a character on the page.
HR HEGNAUER, “Judge a Book by Its Cover” It could be said that the phrase “don’t judge a book by its cover” seems to overlook the significant impact of book design. In this workshop, we’ll dive into key aspects of book design, covering topics such as cover design, interior layout, paper selection, printing methods, and the integration of eBook design. We’ll also envision our own future book covers, looking at your design ideas alongside logistical considerations.
SARA JAFFE, “Starting with Image: A Prose Workshop” What is an image? While conventionally defined as a visual representation or description, an image in writing can activate many senses at once. Transcending mere detail, an image electrifies and swirls up from the page, announcing to the reader that they are in this language-world and none other. In the words of cartoonist and writer Lynda Barry, “[An image is] alive in the way thinking is not, but experiencing is, made of both memory and imagination.” Because so much meaning and sensation accrues to them, images can be terrific starting points for works of fiction and creative nonfiction. In this workshop, we’ll mine our own personal image-banks for generative material, and work together to effectively bring the power of the image to the page.
MEREDITH KIRKWOOD, “Unexpected Arrivals: Writing Surprising Images” A poem is a series of departures and arrivals. A poet takes the reader to one image, then departs to another. Sometimes the reader arrives at the place they expected, but at its best, poetry can surprise—can take us to places the reader (and writer!) never anticipated. Those places offer us a sense of mystery and weirdness, a glimpse into other modes of consciousness and ways of being. This workshop offers tools for getting our poetry from the ordinary and predictable into some of those other places. Using as a guide the poem “4 Stars” by Oregon Poet Laureate and recent Columbia Writers Series guest Anis Mojgani, participants will write a poem by combining fragments of memory in unexpected ways. Then they will exchange images to create an even weirder, more surprising poem. Finally, they will try to break all the rules of grammar they can to arrive at unknown poetic terrain.
JOE PITKIN, “From Margins to the Center: How to Use Duotrope to Get Connected to Publishers” Do you have a story that you are proud of but have no idea how to get it published? Are you wondering what kinds of magazines and podcasts would be open to publishing your work? This session will explore how the online tool Duotrope can be used to get connected to publishers and agents!
MATHIAS SVALINA, “Writing with Dream Logic”Dreams cohere & dissolve in the same event; in this way the logics of dreams relate to the logics of emotional overwhelm & to the logics of the mass hallucinations of history or culture. This workshop will explore dream logic as a conscious & intentional writing tool, a writing strategy to employ to arrive at writerly truths beyond the rational. We will discuss the fugitive rationality in nonsense & the profundity in silliness as we look at some writers’ use of dream logics, & the forms & rhetorics of how we tell others our dreams. We will write to explore dream logic in narrative, lyric, & personal writing. The goals are to generate work that both bewilders & intimately engages the reader & writer alike.
PAULS TOUTONGHI, “Intention and Obstacle: The Use of a Time-Based Goal to Give Your Story Urgency” Fiction writers often struggle with plot—or at least the idea of plot. Writing can come from a place of deep imagination, which is often not harnessed to any kind of mechanical apparatus. In fact, the imagination—a dreamworld—often specifically resists thinking in terms of timeline and story container. We will work to open stories that have a clear sense of urgency or, if it’s missing, think about ways to get this urgency in existing stories.
CLAIRE VAYE WATKINS, “Writing Life and Death: How to Raise the Stakes of a Story” This workshop will be a generative session on how to raise the stakes in your story.
